• September from Purdue Convocations: Kweku Collins & Malcolm London, Rhiannon Giddens, Global Fest, Pat McAfee, Dawn or Doom, Diavolo L.O.S.T.
Loading Events

wild Up: Future Folk

:
Thursday, February 8, 2018 / 7:30 pm

Buying Schedule
Friends of Convos Presale June 7-23
PICK5 Presale July 17-31
Buy Tickets

New. Old. wild Up plays it...as long as they love it. In Future Folk, this Los Angeles musical collective, blends traditional chamber music and the sounds of: the Velvet Underground, the Shaggs, post-war New York, ancient India,
and contemporary California.

  • wild Up: Future Folk

PROGRAM HIGHLIGHTS

JULIUS EASTMAN:
STAY ON IT
(ARR. ROUNTREE / KALLMYER)

THE VELVET UNDERGROUND & NICO:
FAIREST OF THE SEASONS

ALEXANDER SCRIABIN:
MYSTERIUM

PURDUE STUDENT TICKET SUBSIDY PROVIDED BY

(logo) Purdue Student Concert Committee

WITH SUPPORT FROM

(logo) Purdue Student Fee Advisory Board

…A raucous, grungy, irresistibly exuberant…fun-loving, exceptionally virtuosic family.”
The New York Times

The rush of live music allows us to summon both cherished memories and the charged urgency of right now—swirling them together in a shared, collective consciousness of yours, mine, and ours. It blurs lines between modern moments and past recollections, and in wild Up’s Future Folk, it rewrites the rules of chamber music. New. Old. wild Up plays it…as long as they love it.

In Future Folk, this Los Angeles musical collective explores innovation through the sounds of the Velvet Underground and the Shaggs, post-war New York, ancient India, and contemporary California. Founded in 2010 and led by artistic director and conductor Christopher Rountree, wild Up has collaborated with orchestras, composers, rock bands, and cultural collectives around the globe—embracing unusual venues, programs, and repertoire. They’ve recorded with Björk’s preferred backup choir in Iceland, jammed with chamber-pop band San Fermin beneath a Tyrannosaurus rex skeleton, performed scores by Oscar-nominated composer Mica Levi, collaborated with members of Jane’s Addiction, and recorded an afrobeat opera about the end of the Mayan calendar. Wild and wildly successful, the ensemble was named the Best Classical Music of 2012 by the Los Angeles Times. wild Up also was the first-ever Ensemble in Residence at UCLA’s Hammer Museum and has since filled the same role with the Los Angeles Chamber Orchestra—as comfortable teaching a class on composition as they are a class about creativity and consciousness.

In wild Up’s Future Folk, “we” becomes “one.”

Comments

comments