Guest Artists & Clinicians
Stefon Harris + Blackout
Friday Night Concert | Guest Clinicians
Performing Friday evening in Loeb Theater at 8:00 PM, Stefon Harris’ passionate artistry and astonishing virtuosity have propelled him to the forefront of the jazz scene. Heralded as “one of the most important artists in jazz” (Los Angeles Times), he is a recipient of the prestigious Martin E. Segal Award from Lincoln Center, has earned four GRAMMY™ nominations, and has been named Best Mallet player eight times by the Jazz Journalist Association. He was also chosen Best Vibes in the 2017 Downbeat Magazine Critic’s Poll, the 2016 Jazz Times Expanded Critics Poll, the 2014 Jazz Times Critics Poll and the 2013 Downbeat Critics Poll.
Mr. Harris just recorded his eleventh album as a leader, Sonic Creed (Motema Records) with his band Blackout that will be released in 2018. He has also recorded as part of The Classical Jazz Quartet, with Kenny Barron, Ron Carter (another MSM alumnus), and Lewis Nash, and toured worldwide with his bands and as a member of the SFJAZZ Collective, as well as recording and performing with many of music’s greatest artists, including: Joe Henderson, Wynton Marsalis, Milt Jackson, Lionel Hampton, Herbie Hancock, Wayne Shorter, Bobby Hutcherson, Cassandra Wilson, Diana Krall, Dr. Billy Taylor, Max Roach (MSM alumnus), Cedar Walton, Mulgrew Miller, Benny Golson, Bobby Watson, Chaka Khan, Kurt Elling, Buster Williams, Dianne Reeves, Ry Cooder, Charlie Hunter, Common, and Pablo Zeigler.
Guest Artist with Purdue Jazz Band | Guest Clinician
Grammy© Award Winning trumpeter Brian Lynch brings to his music an unparalleled depth and breadth of experience. A honored graduate of two of the jazz world’s most distinguished academies, Art Blakey and the Jazz Messengers and the Horace Silver Quintet, he received wide acclaim during his long tenures with Latin Jazz legend Eddie Palmieri and straight ahead master Phil Woods. He has been valued collaborator with jazz artists such as Benny Golson, Toshiko Akiyoshi, and Charles McPherson; Latin music icons as diverse as Hector LaVoe and Lila Downs; and pop luminaries such as Prince. As a bandleader and recording artist he has released over 20 critically acclaimed CDs featuring his distinctive composing and arranging, and has toured the world at the helm of various ensembles reflecting the wide sweep of his music.
Voted Trumpeter Of The Year and recipient of the Record Of The Year Award by the Jazz Journalists Association in 2017, Lynch’s talents have been also recognized by top placing in the Downbeat Critics and Readers Polls (#3 Trumpet Critics Poll); as well as feature stories and highly rated reviews for his work in the New York Times, Jazz Times, and Downbeat. He has received multiple Grammy Award nominations – the latest in 2016 for his Madera Latino project- and garnered a Grammy win in 2006 for Best Latin Jazz Album. He is also the recipient of grants from the National Endowment for the Arts, Chamber Music America, and Meet The Composer.
Professor of Jazz and Studio Music at the Frost School Of Music, University of Miami, Lynch has conducted clinics, workshops, and residencies the world over. He is Artist In Residence for the Wisconsin Conservatory of Music’s Jazz Institute and also Artistic Director of Ensamble Tonica, Guadalajara, Mexico. Before joining the faculty at the Frost School, Professor Lynch was on the faculty of New York University and has also taught at the Prinz Claus Conservatorium (Netherlands), Long Island University, and The New School.
Lynch’s artist owned and operated record label, Hollistic MusicWorks, has released a series of critically acclaimed recordings under his name since its inception in 2010, including the Grammy Award nominated Madera Latino (2016), Questioned Answer (2014), and the Unsung Heroes series of recordings (2011-13), awarded a 5 star “masterpiece” rating by Downbeat magazine. Lynch also has released albums as a leader on the Criss Cross, Ken, Sharp Nine, Cellar Live, Nagel Heyer, EWE, Zoo’t Jazz, Artist Share, and Venus recording labels, including 2006’s Grammy© Award winning Simpático in collaboration with Eddie Palmieri. Lynch’s discography as a featured artist and sideman runs to over 200 recordings, including 9 albums with Eddie Palmieri, 13 albums as part of the Phil Woods Quintet, and 3 albums with Art Blakey and The Jazz Messengers, all featuring his contributions as arranger, composer, and featured soloist. Lynch has also arranged and produced for numerous artists, including Lila Downs, Conrad Herwig (the Latin Side series of albums), Mondo Grosso, and Yerba Buena. Lynch now devotes the majority of his performing and creative time to his own musical endeavors, centering around his own groups and recording label Hollistic MusicWorks. Brian Lynch is a Yamaha Artist and endorses Austin Custom Brass mouthpieces and the Lefreque Sound Bridge.
Guest Artist with Purdue Jazz Band | Guest Clinician
Musician, Composer, Bandleader, Recording Artist, Educator and Activist Roxy Coss has become one of the most unique and innovative Saxophonists on the scene. Winner of a 2016 ASCAP Herb Alpert Young Jazz Composer Award, the Downbeat Critics’ Poll listed her as a “Rising Star” on Soprano Saxophone the past five years in a row, and a Downbeat Magazine review called her “An exceptional young talent”. Originally from Seattle, and a fixture on the New York scene for over ten years, she has headlined extensively around the world, including major festivals and venues like the Newport Jazz Festival, Melbourne Big Band Festival, Earshot Jazz Festival, San Jose Jazz Summerfest, Ballard Jazz Festival, Jazz Standard, and Jazz Showcase, among others.
The Roxy Coss Quintet, has held residencies at SMOKE Jazz Club and Club Bonafide, and tours nationally. The Quintet is the first-ever recipient of the Emerging Artist Project Grant from the Local 802 Musicians Union AFM of Greater New York. In March 2018, Coss released her fourth album as a leader, The Future Is Female (Posi-Tone Records), receiving 4.5 Star Reviews from Downbeat and All About Jazz.
Coss has performed as a side musician with Jazz greats including Clark Terry, Louis Hayes, Rufus Reid, Billy Kaye and Claudio Roditi, Jeremy Pelt and Willie Jones III. She has been a member DIVA since 2010, and performed with them in the Off-Broadway hit, Maurice Hines is Tappin’ Thru Life. Roxy was also a featured musician on the television show Harry in 2017.
As an educator, Roxy has over 18 years of experience with students of all ages. She is a bandleader for Let Freedom Swing! at Jazz at Lincoln Center, a Jazz Faculty member at The Juilliard School and Borough of Manhattan Community College. She also serves on the Board of Directors for the Jazz Education Network (JEN). In addition to ensemble coaching and private instruction, she has led Masterclasses and Clinics, served as an adjudicator for Jazz Festivals, and performs with other teaching performance programs such as Jazz For Young People at JALC, JazzReach, and Generation Vandoren.
Roxy is the Founder of Women In Jazz Organization, a collective of over 300 professional jazz musicians who identify as women or non-binary. WIJO intends to help level the playing field, so that women and non-binary people have equal opportunity to participate in and contribute to the jazz community, leading to an improved and more rich, diverse, and successful art form. The organization is committed to honoring Black Americans as the creators of jazz.
Artist-in-Residence | Purdue Jazz Band Noon Concert, Guest Artist | Greater Lafayette Jazz Showcase, Guest Artist
A native of Louisville, Kentucky, saxophonist and educator Jarrard Harris attended the Youth Performing Arts School in high school and attended the University of Cincinnati College Conservatory of Music to further his jazz studies. At CCM he studied with Rick VanMatre, Pat Harbison, and Marc Fields. Upon Graduation from CCM Harris moved to Chicago in 1998 to further his studies at DePaul University where under the tutelage of Bob Lark, Tim Coffman, and Marc Colby he earned his master’s degree in jazz studies.
Harris currently lives in Chicago, where he is on the jazz faculty of Northwestern University, Columbia College Chicago and the City Colleges of Chicago. He also serves as the director of jazz studies with the Chicago Public Schools Advanced Arts Education Program at Gallery 37. He maintains an active private teaching studio in addition to adjudicating and performing at college and high school festivals, giving master classes, and lecturing, he has performed with musicians in the United States and abroad. Jarrard was a founding board member of the Jazz education Network and serves as a current board member for the Jazz Institute of Chicago.
Jamey is a internationally-known saxophonist and authority on jazz education and improvisation, and has developed a series of Jazz Play-A-Longs (book and cd sets (now numbering almost 130 volumes) as well as various other supplemental aids for the development of improvisational skills. The Aebersold book and recording sets allow a musician the opportunity to practice and improvise with well-known jazz personalities at home as well as in the classroom. The recordings employ some of the best jazz musicians in the world. This concept has been responsible for changing the practice habits of thousands of musicians around the world. Jamey was one of the first to encourage small group classes, which concentrate on jazz improvisation, and he is the director of the Summer Jazz Workshops which now have 40+ years on record. Jamey feels that improvisation is something all people can do—and his clinics and lectures concentrate on demonstrating how the creative and spontaneous nature of each person can be brought to light. In 2014, Jamey was awarded The National Endowment for the Arts Jazz Master Award, the nation’s highest honor in jazz. Jamey Aebersold is the recipient of the 2014 A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy, which is bestowed upon an individual who has contributed significantly to the appreciation, knowledge, and advancement of the art form of jazz. Jamey has been a driving force in America’s native art form, Jazz, and continues to kindle the fires of musical imagination in those with whom he comes in contact.